Virginia Woolf: Embodiment and Novel Experiments

In an essay called “Flying Over London,” Virginia Woolf imagines herself as a passenger on an airplane passing over the city. Her imagined journey becomes an occasion to think about both the lures of a fixed, constant subjectivity and the shifting currents of an unstable modernity. This fraught relationship with the self (and the flight from it) offers a crystalline lens through which to view Woolf’s experiments in writing and thinking the subject.

In this course, we will examine the tensions within Woolf’s work between the modern longing for a disembodied, impersonal mode of experience and the realist imperative to represent the truths of the body (desire, violent feeling, boredom, illness, etc.). How does this pressure express itself in Woolf’s fiction? In what ways was Woolf’s dismantling of the self in conversation with other modernist forms and theories of subjectivity? And what new possibilities of representation and resistance do her novel experiments offer her readers? We will take up these questions and others via two of Woolf’s novels—Mrs Dalloway (1925) and To the Lighthouse (1927)—alongside a number of supplementary essays drawn from the fields of literary criticism, philosophy, and aesthetics.

There *is* no physical Brooklyn Institute. We hold our classes all over (thus far) Brooklyn and Manhattan, in alternative spaces ranging from the back rooms of bars to bookstores to spaces in cultural centers, including the Center for Jewish History, the Goethe-Institut, and the Barnard Center for Research on Women. We can (and do) turn any space into a classroom. You will be notified of the exact location when you register for a class.